The Green Ring of Warsaw is an initiative focused on protecting and developing green areas surrounding the city — including forests, parks, recreational and agricultural areas.
lubię.pilates is a Pilates reformer studio built around movement, wellbeing and community. The goal was to create a visual identity that would reflect the studio’s modern approach to Pilates while feeling welcoming and accessible to a broad audience. The project included the brand identity, website, social media, print materials and a range of physical brand applications.
ToTu Film is a creative video agency delivering film production and digital content for brands. I developed the visual identity and digital presence for the brand, from the initial visual direction and identity system to social media and the design and development of the website.
Unveiled Art was an academic design project developed during my studies at the Academy of Fine Arts in Łódź. The project explored a new visual direction for Oslo Open, an artist-run cultural event that opens artists’ studios to the public. The aim was to create a distinctive visual identity that reflected the event’s openness and connection between artists and audiences.
Oslo Runway is a fashion event bringing together designers, brands and the creative community in Oslo. For this academic project, I developed a visual identity and poster design inspired by the character of Oslo and its contemporary fashion scene. The project explored how a distinctive visual concept could be translated into a flexible identity across different event applications.
A data visualisation project exploring my Top 100 Spotify favourite songs through five different ways of organising information. Using the LATCH framework as a starting point, I explored how the same dataset can tell different stories depending on how the information is structured, categorised and visualised.
The project began with an in-depth research into the work and visual language of Paolo Sorrentino, an Italian film director known for his distinctive cinematic style.
A typographic interpretation of Julian Tuwim’s “Locomotive”, exploring how typography, composition and visual rhythm can translate the changing pace and character of the poem.